in LIFE (English Supplement to exh. cat.), ed. by Takahashi Mizuki, Contemporary Art Center, Art Tower Mito, pp. 23–26
+ Jp. transl. by Takahashi Mizuki in Jap. edition, pp. 24–30.
“Lebensorte und Vorstellungsräume: Ein Blick auf Comics aus der Sicht von Tokyo und Berlin” (2006)
in Berlin-Tokyo, Tokyo-Berlin: Die Kunst zweier Städte (Ausst.katalog Neue Nationalgalerie Berlin), hg. Angela Schneider et.al., Ostfildern: Hatje Cantz, S. 70-74
[English trans., ibid.: “Sites of Life and Spaces of Imagination: Comics in Tokyo and Berlin”]
[Jp. trans. by Kigawa Hiromi, in Jp. edition, Mori Art Museum, 2006, pp. 55–58].
Book: Reading Manga (2006)
Reading Manga: Local and Global Perceptions of Japanese Comics, co-ed. with Steffi Richter, Leipzig: Leipzig University Press, 2006.
Including individually authored Introduction and individual chapter “‘Adult’ Manga: Maruo Suehiro’s historically ambiguous comics,” pp. 107–125.
![](https://usercontent.one/wp/www.jberndt.net/wp-content/uploads/2020/04/2006_JB-1-760x1024.jpg)
“Beweglich, flächig, glatt: »Japan« und »Manga« in den Arbeiten des Künstlers Murakami Takashi” (2005)
[Mobile, flat, smooth: “Japan” and “Manga” in Murakami Takashi’s art works], in Facetten der japanischen Populärkultur 1, hg. Stephan Köhn & Martina Schönbein, Wiesbaden: Harrassowitz Verlag, S.. 5–36.
“Miburi toshite no Cultural Studies: »setsugō« o kyohi suru Sharon Kinsella no mangaron”(2002)
[Cultural Studies as mere pose: How Sharon Kinsella’s study of manga rejects ‘articulation’]
Ritsumeikan Gengo Bunka Kenkyū, 13(4): 157–166.
Book: 『マン美研』 (2002)
Man-bi-ken: Manga no bi/gakuteki jigen e no sekkin [Towards an Aesthetics of Comics], Kyoto: Daigo shobō.
Introduction, pp. i–xv, and individual chapter “Tenji sareru manga: bijutsukan ni okeru manga no «bigaku»” [Exhibiting manga: The ‘Aesthetics’ of comics in the art museum], pp. 159–191.
![](https://usercontent.one/wp/www.jberndt.net/wp-content/uploads/2020/04/2002_JB-730x1024.jpg)
“Permeability and Othering: The Relevance of »Art« in Contemporary Japanese Manga Discourse” (2001)
In: Critical Perspectives on Twentieth Century Japanese Thought, ed. by Livia Monnet, Montréal University Press 2001, pp. 349–375; https://books.openedition.org/pum/19887?lang=en
“Zeitgenössische asiatische Kunst in Japan: Bericht über einen Lernprozeß” (1998)
in Comparativ Nr. 8 (Dossier “Modernen in Ostasien,” hg. Steffi Richter), Leipziger Universitätsverlag, S. 98–118.
“Grenzenlos: Yokoo Tadanori” (1998)
[Limitless: Yokoo Tadanori], in Japan-Lesebuch 3: “intelli” [Japan Reader III: “intelli”], ed. by Steffi Richter, Tuebingen: konkursbuchverlag Claudia Gehrke, S. 340–351.
“Kunstgehäuse: Über den musealen Ort moderner Kunst in Japan” (1997)
in JAPANSTUDIEN. Jahrbuch des Deutschen Instituts für Japanstudien, Bd. 9, München: iudicium, S. 175-198