In: Japan-Lesebuch IV: J-culture, hg. zusammen mit Steffi Richter, Tübingen: konkursbuch Verlag Claudia Gehrke, 2008, S. 48–70
Category: book chapter
“Considering Manga Discourse: Location, Ambiguity, Historicity” (2008)
in Japanese Visual Culture, ed. by Mark MacWilliams, Armonk, NY: M. E. Sharpe, pp. 351–369.
“Historical Adventures of a Posthistorical Medium: Japan’s Wartime Past as Represented in Manga” (2008)
in Contested Views on a Common Past: Revisions of History in East Asia, ed. Steffi Richter, Frankfurt/ New York: Campus 2008, pp. 287–320.
“Nationally naked? The female nude in Japanese oil paintings and posters (1890s-1920s)” (2008)
In: Doris Croissant, Joshua Mostow & Catherine Yeh, eds, New Gender Constructs in Literature, the Visual and the Performing Arts of Modern China and Japan (1880s to 1930s), Leiden: Brill Academic Publishers, 2008, pp. 307-345
“Kunsthistorisch entfaltet: Japanische Stellschirme als ,Tableau‘” (2007)
[Byobu (Folding Screens) as Tableau]. In: Barbara Lange (Hrsg.): Visualisierte Körperkonzepte, Berlin: Georg Reimer Verlag 2007, S. 49-66
Book: Reading Manga (2006)
Reading Manga: Local and Global Perceptions of Japanese Comics, co-ed. with Steffi Richter, Leipzig: Leipzig University Press, 2006.
Including individually authored Introduction and individual chapter “‘Adult’ Manga: Maruo Suehiro’s historically ambiguous comics,” pp. 107–125.
“Beweglich, flächig, glatt: »Japan« und »Manga« in den Arbeiten des Künstlers Murakami Takashi” (2005)
[Mobile, flat, smooth: “Japan” and “Manga” in Murakami Takashi’s art works], in Facetten der japanischen Populärkultur 1, hg. Stephan Köhn & Martina Schönbein, Wiesbaden: Harrassowitz Verlag, S.. 5–36.
Book: 『マン美研』 (2002)
Man-bi-ken: Manga no bi/gakuteki jigen e no sekkin [Towards an Aesthetics of Comics], Kyoto: Daigo shobō.
Introduction, pp. i–xv, and individual chapter “Tenji sareru manga: bijutsukan ni okeru manga no «bigaku»” [Exhibiting manga: The ‘Aesthetics’ of comics in the art museum], pp. 159–191.
“Permeability and Othering: The Relevance of »Art« in Contemporary Japanese Manga Discourse” (2001)
In: Critical Perspectives on Twentieth Century Japanese Thought, ed. by Livia Monnet, Montréal University Press 2001, pp. 349–375; https://books.openedition.org/pum/19887?lang=en
“Grenzenlos: Yokoo Tadanori” (1998)
[Limitless: Yokoo Tadanori], in Japan-Lesebuch 3: “intelli” [Japan Reader III: “intelli”], ed. by Steffi Richter, Tuebingen: konkursbuchverlag Claudia Gehrke, S. 340–351.