In: Comics und Archive, hrsg. v. Anna Stemmann und Felix Giesa, Berlin: Christian A. Bachmann Verlag 2021, pp. 97–112.
Category: book chapter
“Hand in Hand: Kouno Fumiyos Mangaserie ‘Kono sekai no katasumi’ ni (In This Corner of the World)” (2018)
In: Ästhetik des Gemachten: Interdisziplinäre Beiträge zur Animations- und Comicforschung [The Aesthetics of Craftedness: Interdisciplinary Contributions to Animation and Comics Research], ed. by Backe, Hans-Joachim; Eckel, Julia; Feyersinger, Erwin; Sina, Véronique; Thon, Jan-Noël, Berlin: de Gruyter, pp. 53–84.
Open Access. https://www.degruyter.com/document/doi/10.1515/9783110538724/html
“Manga Meets Science: Going beyond the Education-Entertainment Divide” (2018)
Published in Science meets Comics: Proceedings of the Symposium on “Communicating and Designing the Future of Food in the Anthropocene”, ed. by Alexandra Hamann, Jens Kirstein, Reinhold Leinfelder & Marc Schleunitz, Berlin: Ch. A. Bachmann Verlag, pp. 41–59.Print & Web. [ISBN 978-3-941030-92-3].
“Pictures that Come to Life: The Hokusai Manga” (2017)
in Hokusai (exh. cat., ed. by Wayne Crothers), National Gallery of Victoria, Melbourne, 2017, pp. 21–27.
“Manga, which Manga? Publication Formats, Genres, Users” (2016)
in Japanese Civilization in the 21st Century, ed. by Andrew Targowski, Juri Abe, Hisanori Katō, New York: Nova Science Publishers, 2016, pp. 121–133.
Book: Manga – Medium, Art, and Material (2015)
Jaqueline Berndt, Manga: Medium, Art, and Material, Leipzig UP 2015 (collected articles, partly in German). Cover illustration: Christina Plaka.
Contents
ch.1_Teaching Manga Studies: The Case of KSU’s Graduate School
ch. 2_[in German] Traditionsbezüge: „Manga“, Bildrollen und Hokusai Manga
ch. 3_Historical Adventures of a Posthistorical Medium: Japan’s Wartime Past as Represented in Manga
ch.4_Takemiya Keiko: Mangaka with an educational mission
ch.5_[in German] Genji-Manga: Das „Asakiyumemishi“ im wissenschaftlichen Diskurs
ch. 6_Manga as “Literature”: Adaptations of Crime and Punishment in Japanese Comics (1953-2010)
ch. 7_Images to be “Read”: Murakami Takashi’s mangaesque paintings
ch.8_[in German] »Deutschland« im Manga: Ein parodistisches Terrain
ch.9_Magazines and Books: Changes in the Manga Market (co-authored with Enno Berndt)
“SKIM as GIRL: Reading a Japanese North American Graphic Novel through Manga Lenses” (2014)
in Drawing New Color Lines: Transnational Asian American Graphic Narratives, ed. by Monica Chiu, Hong Kong University Press, 2014, pp. 257–278.
Revised Japanese version:
「 少女マンガから見た『GIRL』：その日本での受容を左右するメディアスケープと民族性表現」、大房房美編『女性マンガ研究：欧米・日本・アジアをつなぐMANGA』青弓社、2015年
[GIRL as shōjo manga: Mediascape and conventions for representing ethnicity swaying its reception in Japan], in [Women’s Manga Studies], ed. by Ōgi Fusami, Tokyo: Seikyūsha, 2015, pp. 84–105.
“The Intercultural Challenge of the ‘Mangaesque’: Reorienting Manga Studies after 3/11” (2013)
In: Manga’s Cultural Crossroads, o-ed. with Bettina Kümmerling-Meibauer, London: Routledge, 2013, pp. 65–84.
“Ghostly: ‘Asian Graphic Narratives,’ Nonnonba, and Manga” (2013)
In: From Comic Strips to Graphic Novels: Contributions to the Theory and History of Graphic Narrative (Narratologia series), ed. by Daniel Stein and Jan-Noël Thon, Berlin: de Gruyter, 2013, pp. 363–384
“Images to Be ‘Read’: Murakami Takashi’s Mangaesque Nihonga-like Paintings” (2012)
in Art of Japan, Japanisms and Polish-Japanese Art Relations, ed. by Agnieszka Kluczewska-Wójcik & Jerzy Malinowski, Torun: Polish Institute of World Art Studies & Tako Publ., pp. 321–325.