Skip to content
Jaqueline Berndt

Jaqueline Berndt

manga studies, anime aesthetics, ‘media arts’ japan

  • News
  • About
  • Publications
    • Anime
    • Manga/Comics
    • Visual Arts
  • Teaching/Supervising
  • Events
  • Contact

Tags

  • aesthetics
  • Angoulême
  • Anime
  • art history
  • art museum
  • Asia
  • book review
  • chibi
  • collaboration
  • comics
  • critique
  • deutsch
  • discourse
  • Edo
  • exhibition
  • gender
  • graphic history
  • graphic novel
  • history
  • Hokusai
  • Iberomanga
  • Japanese
  • Japanese studies
  • josei manga
  • Korea
  • manga
  • mangaesque
  • manga genres
  • manga history
  • manhwa
  • media form
  • media history
  • Murakami Takashi
  • museum
  • narrative
  • Niigata University
  • nuclear
  • Okazaki Kyoko
  • open access
  • painting
  • posters
  • shojo
  • Taiwan comics
  • Vilem Flusser
  • visual arts

Recent Posts

  • “Kusazōshi as Comic Books?” (2024)
  • “Geschichte der Animation: Anime in Japan” (2023)
  • “Geister im Gitter: Anke Feuchtenbergers Kyoto-„Manga“” (2023)
  • “Manga, an affective form of comics” (2023)
  • “Manga as ‘popular culture’?” — Two (slightly different) essays (2022–23)
  • ⟨「Manga」「Manhua」「Comics」？: 以「漫画」（與「マンガ」）的英語拼音為中心⟩ (2023)
  • Book: Introduction – “Anime Studies” (2021–23)

Review: Interpreting Anime by Christopher Bolton (2019)

in The Journal of Japanese Studies, 45(2), summer 2019, pp. 471-475. DOI: 10.1353/jjs.2019.0063

Download
Posted on 1 August 201915 August 2024Author JaquelineCategories Anime, ReviewTags Anime, book review, journal

Post navigation

Previous Previous post: Symposium: Archiving Anime: Materiality, Media and Japan (2019)
Next Next post: “Design als Konzept? Zum Sinn und Zweck von Manga-Ausstellungen” (2020)
Proudly powered by WordPress